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As Detroit developed northward from the riverfront, Woodward Avenue
became a mecca for retail, restaurants, and services. The 1870s and
1880s saw many independent merchants open their doors. By 1890, a
new type of one-stop shopping had developed: the department store.
Detroitas venerable Newcomb Endicott and Company was closely
followed by other trailblazers: J. L. Hudson Company, Crowley
Milner and Company, and the Ernst Kern Company. At its peak in the
1950s, the Woodward Avenue area boasted over four million square
feet of retail, making it one of Americaas preferred retail
destinations. Other Detroit emporiums such as the homegrown S. S.
Kresge Company set trends in consumer culture. Generations made the
trek downtown for back-to-school events, Easter shows, holiday
windows, and family luncheons. Then, with the advent of suburban
shopping centers, downtown stores began competing with their own
branch locations. By the 1970s and 1980s, the dominoes began to
fall as both chain and independent stores abandoned the once
prosperous Woodward Avenue.
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Detroit Opera House (Paperback)
michael Hauser, Marianne Weldon; Introduction by Lisa Dichiera
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R634
R508
Discovery Miles 5 080
Save R126 (20%)
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Ships in 15 - 20 working days
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The J. L. Hudson Company redefined the way Detroiters shopped and
enjoyed leisure time. Many Detroiters share memories of times spent
shopping and enjoying spectacular events sponsored by Hudson's. A
solid and lofty icon built by businesspeople who believed in their
passion, Hudson's defined Detroit's downtown, creating trends and
traditions in consumer culture that still resonate with us today.
Now and in the future, as Hudson's boxes, shopping bags, and
artifacts are discovered in closets, attics, basements, and flea
markets, many will remember that it was once as solid a civic
fixture as the City-County Building or the Detroit Public Library.
For over a century, the J.L. Hudsonas Department Store on Woodward
Avenue was more than just a storeait was a Detroit icon and a
world-class cultural treasure. At 25 stories, it was the worldas
tallest department store, and was at one time home to the most
exceptional offerings in shopping, dining, services, and
entertainment. The store prided itself on stocking everything from
grand pianos to spools of thread. In addition to departments
offering fashionable clothing and home furnishings, the original
Hudsonas store featured an auditorium, a circulating library,
dining rooms, barber shops, a photo studio, holiday exhibits, a
magnificent place called Toytown, and the worldas largest American
flag.
For decades, downtown Grand Rapids enjoyed a long run in the
limelight as the epicenter of shopping in western Michigan. The
vibrant Monroe Avenue corridor included three homegrown department
stores, several chain department stores, five-and-dime stores, and
scores of clothing and specialty retailers. It weathered mother
nature, wars, the Great Depression, the advent of neighborhood
shopping centers, and civil disturbances--but the one change it
could not overcome was the regional shopping mall.
The spokelike grid of wide grand avenues radiating out from
downtown Detroit allowed for a concentration of theaters initially
along Monroe Street near Campus Martius and, after the second
decade of the 20th century, clustered around Grand Circus Park, all
easily accessible by a vast network of streetcars. In its heyday,
Grand Circus Park boasted a dozen palatial movie palaces containing
an astonishing total of 26,000 seats. Of these theaters, five
remain today, fully restored and operational for live
entertainment. Detroit, more so than any other North American city,
illustrates how demographic and economic forces dramatically
changed the landscape of film exhibition in an urban setting.
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Detroit Opera House (Hardcover)
michael Hauser, Marianne Weldon; Introduction by Introduction Lisa Dichiera
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R1,067
R850
Discovery Miles 8 500
Save R217 (20%)
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Ships in 10 - 15 working days
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strong>The Crystal Palace III: The Fairy WarEver wish you were
someone else? Katie falls in love with a handsome fairy boy, Colin,
and wants to be a fairy herself. In this third book of the Crystal
Palace trilogy, three human girls (Karina, Nicole, and Katie)
return to Fairyland to visit their fairy folk friends and to see
the effect of the civil rights reforms they had earlier mediated
for the ogres and trolls, previously second class citizens in
Fairyland. The Sorcerer gives Katie beautiful fairy wings, but he
is jealous of the human girls' growing influence on the king and
plans to humiliate them. His scheme is interrupted when insects
(huge to the fairies) attack Fairyland. Urged on by their evil
tarantula leader, swarms of enormous, angry insects and spiders
descend upon the fairy folk. Their goal: to destroy Fairyland,
before turning their sights on the human world. A story of envy and
forgiveness, courage and cooperation, friendship and caring, The
Crystal Palace III: The Fairy War demonstrates the power of respect
for others and working together toward a common goal. Exciting and
fanciful- a child's version of Fairyland through the artistry of
Karina, the eleven-year-old granddaughter of author Grammy Hauser.
Grammy finds a tiny envelope addressed to Karina on the crystal
bed. King Sebastian and Queen Serena of Fairyland have invited
Karina and her friends to Prince Jeremy s third birthday party.
Excited and determined, Karina, Katie, and Nicole return to
Fairyland through the bedpost crystal, with the help of Grammy s
tooth fairy, Angela. The royal celebration is all they have hoped:
beautiful and festive with an elaborate buffet, graceful dancers,
and impressive fireworks. A magical and enchanting evening in
Fairyland Suddenly, explosions interrupted the celebrations as the
ogres and trolls, outcasts in fairy society, protest their lack of
rights and limited choices in life. In the chaos, Karina, Katie,
Nicole, and the young, insolent fairy princess Gianna are kidnapped
by the ogres and taken into hiding. Join Karina and her friends as
they confront issues of justice and equality as they get to know
their captors. The beautiful, magical Fairyland now seems medieval
and unfair. What can these modern American girls do to help their
beloved Fairyland? What would YOU do?Enchanting and fanciful a
child s vision of Fairyland through the illustrations of Karina,
the ten-year-old granddaughter of author Grammy Hauser.
Who would have thought that the saving of a little boy at a pool
would lead to an adventure in Fairyland and the Kingdom of the
Leprechauns? A sleepover at Karina's Grammy's and Popi's house, in
a bedroom filled with crystals, turned into an adventure at a
crystal palace and a confrontation with a dangerous sea serpent.
Karina, Katie, and Emily Jean entered these worlds through the lead
of Grammy's tooth fairy named Angela. They were needed to find the
missing baby fairy prince. Intelligence, insight, and imagination
led these girls to the rescue and the discovery of the truth:
Children are precious to their parents, not matter how old they
are, whether in Fairyland or everyday life. Exciting and fanciful a
child s vision of Fairyland through the artistry of Karina, the
nine-year-old granddaughter of author Grammy Hauser.
2 books & a CD. This study provides a comprehensive description
of the rich song culture of the people in the Thule area in
Greenland, the Inughuit. In 1937 the archaeologist and folklorist
Erik Holtved recorded 134 traditional songs in Thule.
Transcriptions and scientific processing of this collection
constitute the nucleus of the work. Another collection of Inughuit
songs was recorded in 1962 for The Danish Folklore Archives by Bent
Jensen and the author. The songs from both collections are
presented and notated in full length and also with analyses of a
representative stanza from each song. Descriptions are given of
performing habits, singing methods, drum construction and handling,
as well as historical and recent data. Searching for resemblances
among other Inuit groups produced transcriptions and analyses of
many traditional Inuit Songs from different localities in Canada.
It was discovered that characteristic traits of the form and melody
types of the Inughuit are linked to Canadian Inuit groups in
southern Baffin Island and among the Copper Inuit in northern
Canada, documenting particular areas of origin, and also giving
information about migration routes. Many of the songs are presented
on the enclosed CD
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